January 25th, 2012
blackvon
Projects that are open to participation—where the audience is invited to comment on and collaborate in the making of the work using a technological system set up by the curator, institution, or artist—do question authorship. But authorship, it turns out, is not the biggest problem in our age of user-generated content. Who made it becomes of secondary importance to who uploaded it, who tagged it, and who now owns it.
Beryl Graham and Sarah Cook in Rethinking Curating: Art After New Media (2010)

(Source: pcah.us)

Reblogged from Jeff D. Taylor
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